Monday, January 18, 2010

The Cowboy And The Lady - 1938

William Wyler began as director of this movie, but walked off the picture after an argument with Samuel Goldwyn about extensive retakes he wanted. Goldwyn suspended Wyler, who did not return as director. However, he and Goldwyn settled their differences, and he did direct Goldwyn's next picture, Wuthering Heights (1939).

Several trade papers and national magazines noted that the film set a record for the number of screenwriters who worked on the script. Beside the 4 given credit onscreen, at least 13 others were involved.

David Niven played the role of a "British Diplomat" during filming, and Benita Hume also was "Mary Smith's Stepmother." However, both roles were eliminated before release.
Arthur Hoyt is in studio records/casting call lists as "Valet," but he did not appear in the movie.

Modern sources also list Billy Wayne, Ernie Adams and Jack Baxley as Rodeo Riders, but they did not appear or were not identifiable in the movie.

During the film's production, news items listed Iron Eyes Cody, Silver Tip Baker, Steve Clemente, John Judd and Danny Borzage in the cast. None of these actors, however, have been confirmed.

Cast of The Cowboy And The Lady

Gary Cooper ... Stretch Willoughby
Merle Oberon ... Mary Smith
Patsy Kelly ... Katie Callahan
Walter Brennan ... Sugar
Fuzzy Knight ... Buzz
Mabel Todd ... Elly
Henry Kolker ... Horace Smith
Harry Davenport ... Uncle Hannibal Smith
Emma Dunn ... Ma Hawkins
Walter Walker ... Ames
Berton Churchill ... Oliver Wendell Henderson
Charles Richman ... Dillon
Frederick Vogeding ... Ship's Captain

The Amazing Dr. Clitterhouse - 1938

Nearly all of the characters' names are changed from the original play on which the film is based.

Factual errors: Near the end of the movie there is a montage of newspaper headlines, the word PSYCHIATRIST is mis-spelled in the headline.

Continuity: At about 80 minutes into the film, the prosecutor cross examines the incomprehensible expert witness. In the first shot, the prosecutor unbuttons his jacket. In the next shot, he unbuttons it again.

Ronald Reagan's voice can be heard as a radio announcer, a job that Reagan held before he started as a film actor.

Max "Slapsie Maxie" Rosenbloom was a boxer who converted his fame in the ring into a film career playing Runyonesque characters.

Susan Hayward had a part in the film, but her scenes were deleted.

The Amazing Dr. Clitterhouse premiered in New York on 20 July, 1938, and went in to general American release on 30 July, and was mostly well received. The review in Variety called it "an unquestionable winner" and said that "Robinson...is at his best" and "Bogart's interpretation of the gangster chief...is topflight."

Humphrey Bogart later said that the role of "Rocks" Valentine was one of his least favorite.

Cast of The Amazing Dr. Clitterhouse

Edward G. Robinson as Dr. Clitterhouse
Humphrey Bogart as 'Rocks' Valentine
Claire Trevor as Jo Keller
Allen Jenkins as Okay
Donald Crisp as Police Inspector Lewis Lane
Gale Page as Nurse Randolph
Henry O'Neill as the judge
John Litel as Mr. Monroe, the prosecuting attorney
Thurston Hall as Grant
Maxie Rosenbloom as Butch
Burt Hanlon as Pat 'Pal'
Curt Bois as Rabbit
Ward Bond as Tug
Vladimir Sokoloff as Popus 'Poopus'
Billy Wayne as Candy

Sing You Sinners - 1938

Sing You Sinners is a 1938 black and white American musical comedy film starring Bing Crosby, Fred MacMurray, Donald O'Connor, and Ellen Drew. The movie was written by Claude Binyon and directed by Wesley Ruggles. Songs include "Small Fry" by Hoagy Carmichael and Frank Loesser, which Crosby recorded for Decca Records with Johnny Mercer dueting.

The role of Mike Beebe, played by Donald O'Connor, was originally meant for Mickey Rooney. But Rooney was scheduled to make another picture at the same time.

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on January 15, 1940 with Bing Crosby reprising his film role.

Cast of Sing You Sinners

Bing Crosby as Joe Beebe
Fred MacMurray as David Beebe
Donald O'Connor as Mike Beebe
Elizabeth Patterson as Mother Beebe
Ellen Drew as Martha Randall

Algiers - 1938

Animator Chuck Jones based the Warner Brothers cartoon character "Pepe le Pew" on the "Pepe le Moko" character played by Charles Boyer in this film.

The cast and credits are based on the 98-minute print shown on Turner Classic Movies, but the AFI Catalogue lists slightly different changes which suggest that their print may have been a re-release. In the AFI Catalogue listing, Sigrid Gurie's name is above the title with the rest of the cast list the same. The crew credits are identical, except that James Wong Howe is credited for "photography" instead of "director of photography." The latter terminology was rare in 1938, but not unheard of.

The title for this film was the inspiration for the later movie titled Casablanca (1942).

Charles Boyer's often repeated, and parodied, line "Come with me to the Casbah" was in the trailers but was never actually said in the film. According to an article in Smithsonian Magazine (July 2007), the line came from an impersonation of Boyer by the cartoon character Pepé Le Pew, in The Cats Bah (1954), an animated short."
Remake of the 1937 french film Pépé le Moko (1937). When Walter Wanger produced Algiers (1938), he tired to have all copies of the original "Pépé le Moko" destroyed. Fortunately, he was not able to do so.

Cast of Algiers

Charles Boyer as Pepe le Moko
Sigrid Gurie as Ines
Hedy Lamarr as Gaby
Joseph Calleia as Inspector Slimane
Alan Hale as Grandpere
Gene Lockhart as Regis
Walter Kingsford as Chef Inspector Louvain
'Paul Harvey as Commissioner Janvier

Thursday, January 14, 2010

Test Pilot - 1938

Reportedly Myrna Loy's personal favorite movie of all her films.

The four engine bomber flown by Gable and Tracy near the end of the film when they are flying with the simulated bomb load was a Model 299, which was bought by the Army Air Force and became the yb-17 while testing continued until it became operational as the b-17a.
Test Pilot is a 1938 film directed by Victor Fleming and featuring Clark Gable, Myrna Loy, Spencer Tracy, and Lionel Barrymore. It tells the story of a daredevil test pilot, his wife and his best friend.

Test Pilot was written by Howard Hawks, Vincent Lawrence, John Lee Mahin, Frank Wead and Waldemar Young. The screenplay was largely based on an original story written by Wead (a naval aviator and writer later portrayed by John Wayne in John Ford's The Wings of Eagles).

The movie was nominated for the Academy Award for Best Picture; Best Writing, Original Story for Wead; and Best Film Editing for Tom Held.

Cast of Test Pilot

Clark Gable as Jim Lane
Myrna Loy as Ann Barton
Spencer Tracy as Gunner Morris
Lionel Barrymore as Drake, the owner of the company that employs Jim and Gunner

Boys Town - 1938

The day after Spencer Tracy won the Best Actor Oscar for his performance in this film, an MGM publicist released a statement - without consulting Tracy first - that the actor would donate his Oscar to the real Boys Town in Nebraska. Tracy agreed to make the donation if the Academy would send him a replacement Oscar. When the replacement arrived, the engraving on the award read: "Best Actor - Dick Tracy."

The famous line, "He ain't heavy, he's my brother" comes from this film.

Freddie Bartholomew was considered for the part of Mickey Rooney's best friend, but was not cast because the producers felt he was too associated with Little Lord Fauntleroy (1936) and so would not be believable in this film.
Boys Town (1938) is a biographical drama film based on Father Edward J. Flanagan's work with a group of disadvantaged and delinquent boys in a home that he founded and named "Boys Town". It stars Spencer Tracy as Father Edward J. Flanagan, and Mickey Rooney, Henry Hull, Gene Reynolds, Edward Norris, and Addison Richards.

The film was written by Dore Schary, Eleanore Griffin and John Meehan, and was directed by Norman Taurog.

Legendary MGM Studio head Louis B. Mayer, known privately for his deep reservations regarding the Catholic Church, later called this his favorite film of his tenure at MGM.

In 1941, MGM made a sequel, Men of Boys Town, with Spencer Tracy and Mickey Rooney reprising their roles from the earlier film.

Cast of Boys Town

Spencer Tracy - Father Flanagan
Mickey Rooney - Whitey Marsh
Henry Hull - Dave Morris
Leslie Fenton - Dan Farrow
Addison Richards - The Judge
Gene Reynolds - Tony Ponessa
Edward Norris - Joe Marsh
Bobs Watson - Pee Wee
Minor Watson - The Bishop
Jonathan Hale - John Hargraves
Martin Spellman - Skinny
Mickey Rentschler - Tommy Anderson
Frankie Thomas - Freddie Fuller
Jimmy Butler - Paul Ferguson
Sidney Miller - Mo Kahn;
Barbara Bedford - Catholic Sister
Wesley Giraud - Butch
Donald Haines - Alabama
John Hamilton - Warden
Al Hill - Apples
George Humbert - Calateri
Gladden James - Doctor
Victor Kilian - The Sheriff
Jay Novello - Gangster
Kane Richmond - Newspaper Reporter Jackson
Phillip Terry - Newspaper Reporter
Orville Caldwell - Warden
Roger Converse - Newspaper Reporter Lane
Walter Young - Judge
Johnny Walsh - Charley Haines
John Wray - Weasel

The Adventures of Tom Sawyer - 1938

H.C. Potter was the initial director but quit over "Selsnickian interference." His footage (in black and white) was completely discarded.

Many disputes arose between photographer James Wong Howe and his associate, Technicolor photographer Wilfred M. Cline about which colors to use in wardrobe and sets. Cline wanted bright primary colors, while Howe insisted on subdued earth tones. Since Howe got his way, after one week they were not on speaking terms and The Technicolor Company banned Howe from shooting further pictures in color; Howe did not make another color film for 10 years.

Spring Byington (Widow Douglas) in studio records/casting call lists, but did not appear or was not identifiable in the movie.
Marcia Mae Jones was originally signed to play Becky Thatcher. Because of a growth spurt, she was recast as Mary Sawyer.

Tommy Kelly, a Bronx fireman's son, was selected for the title role through a national campaign waged by producer David O. Selznick, who later would conduct a similar search for an actress to portray Scarlett O'Hara in Gone with the Wind. According to a 1937 memo he sent to story editor Katharine Brown, he originally hoped to cast an orphan as Tom, feeling such a stunt would receive "tremendous attention and arouse such a warm public feeling that it would add enormously to the gross of the picture." Kelly failed to achieve the star status of fellow child actor Freddie Bartholomew, and after an inconsequential career he retired and later became a school teacher.

After reading the comment cards completed by an audience at a sneak preview of the film, Selznick sent director Taurog a memo expressing concern about the climactic scene in the cave, which many viewers had described as "too horrible for children." He advised Taurog "this worried me, because we certainly want the picture to be for a family audience," and as a result he was cutting a close-up of Becky, in which her hysteria was "perhaps a shade too much that of a very ill woman, rather than that of a little girl," "with regrets."

On the strength of the designs for the cave sequence executed by William Cameron Menzies, Selznick hired him for Gone with the Wind.

Some exterior scenes were filmed at Big Bear Lake, Lake Malibu, and the Paramount Ranch in Agoura, California.

Cast of The Adventures of Tom Sawyer

Tommy Kelly as Tom Sawyer
Jackie Moran as Huckleberry Finn
Ann Gillis as Becky Thatcher
May Robson as Aunt Polly
Walter Brennan as Muff Potter
Victor Jory as Injun Joe
David Holt as Sid Sawyer
Nana Bryant as Mrs. Thatcher
Victor Kilian as Sheriff
Olin Howland as Mr. Dobbins
Mickey Rentschler as Joe Harper
Donald Meek as Sunday School Superintendent
Charles Richman as Judge Thatcher
Margaret Hamilton as Mrs. Harper
Spring Byington as Widow Douglas
Roland Drew as Dr. Robinson
Cora Sue Collins as Amy Lawrence

Alexander's Ragtime Band - 1938

Grady Sutton (Babe), James Gordon (Equity President) and Joan Castle (Equity Secretary) were in studio records/casting call lists for those roles, but they did not appear in the film.

In her autobiography, Ethel Merman said that the original lyrics to "Heat Wave": "She started a heat wave by letting her seat wave" was changed for the movie to "She started a heat wave by letting her feet wave"

After the preview in Los Angeles on 24 May 1938, there were sporadic openings across the United States before the national release on 16 August 1938. Some of these were 5 August in New York City, New York; 11 August in Boston, Massachusetts, Pittsburgh, Pennsylvania and San Francisco, California; 12 August in Philadelphia, Pennsylvania, Chicago, Illinois and Dallas, Texas; and 13 August in Cleveland, Ohio.

This was the first time that composer Irving Berlin had worked with Ethel Merman. He told her that he was so impressed with her talent that he would work with her again. He kept that promise and wrote two Broadway shows especially for her: "Annie Get Your Gun" in 1946 and "Call Me Madam" in 1950, the latter of which also starred Merman in the film adaptation: Call Me Madam (1953). Merman also later starred in a film that, like this one, was a cavalcade of Irving Berlin songs, There's No Business Like Show Business (1954).

A British Movietone Newsreel survives of the London premiere at the Regal Cinema, believed to be some time in Fall 1938. Leslie Mitchell describes the events, and Irving Berlin is present. Mitchell asks Berlin what is his favorite song that he wrote, and Berlin responds: "Well, what do you think!" indicating the title of this film. Also present is George Sanders, Clive Brook, Bobby Howes, Mary Maguire, Margaret Lockwood and Flora Robson.

Three deleted musical numbers survive in pristine condition: "Some Sunny Day" sung by Don Ameche, "In My Harem" sung by Jack Haley, with Wally Vernon and Chick Chandler and "Marching Along With Time" sung by Ethel Merman; all three numbers are included as special features in the DVD release.
Cast of Alexander's Ragtime Band

Tyrone Power — Alexander
Alice Faye — Stella Kirby
Don Ameche — Charlie Dwyer
Ethel Merman — Jerry Allen
Jack Haley — Davey Lane
Jean Hersholt — Professor Heinrich
Helen Westley — Aunt Sophie
John Carradine — Taxi Driver
Paul Hurst — Bill
Wally Vernon — Himself
Ruth Terry — Ruby
Douglas Fowley — Snapper

In Old Chicago - 1938

Alice Brady won a Best Supporting Actress Oscar for her role in this film. Brady wasn't present at the award ceremony, but a man walked up and accepted the award on her behalf. After the show, he and the Oscar were never seen again. She was the first person to win the Supporting Oscar after being nominated in the prior year.

MGM had originally planned to "loan out" Jean Harlow to Twentieth-Century Fox for the role of Belle Fawcett (ultimately played by Alice Faye), in exchange for acquiring Shirley Temple to play the role of Dorothy in Wizard of Oz, The (1939). The deal fell through when Harlow died in June 1937.

The portrayal of the O'Leary family is completely fictitious down to the names of the characters. Mrs. O'Leary's name was Catherine, not Molly.

The O'Learys had two children, one son and one daughter. (In the movie there are 3 sons) Her only son was named James. The daughter was named Anna.

Patrick O'Leary did not die in 1854 as a result of an accident involving his horses. He died in 1894.

Mrs O'Leary did not run her own "French Laundry" out of their house.

The Mayor of Chicago in 1871 was Roswell B. Mason, not an O'Leary son.

Cast of In Old Chicago

Tyrone Power as Dion O'Leary
Alice Faye as Belle Fawcett
Don Ameche as Jack O'Leary
Alice Brady as Mrs. Molly O'Leary
Phyllis Brooks as Ann Colby
Andy Devine as Pickle Bixby
Brian Donlevy as Gil Warren
Tom Brown as Bob O'Leary
Berton Churchill as Senator Colby
Sidney Blackmer as General Phil Sheridan
J. Anthony Hughes as Patrick O'Leary
Paul Hurst as 'Mitch' Mitchell
June Storey as Gretchen O'Leary

The Dawn Patrol - 1938

Most of the aerial footage comes from Warner Bros.' previous 1930 version (The Dawn Patrol (1930)).

The filmmakers needed several shots of the planes taking off and landing. They assembled a squadron of 17 vintage WW1 aircraft, most of them Nieuports. Flying them proved just as hazardous as in WW1. By the time filming ended, stunt flyers had crashed 15 of them.
One of the Nieuports used in the movie is now on display at the Army Aviation Museum at Fort Rucker Alabama.

As Major Brand, Basil Rathbone is seen wearing the ribbon for the Military Cross. He was awarded this medal for bravery during the First World War as a second lieutenant. Captain Courtney, Errol Flynn and later Lieutenant Scott, played by David Niven are also seen with ribbons but were too young to server in that conflict. Niven attended Sandhurst Military Academy and then served for two years in Malta. At the outbreak of the Second World War, he returned to England and re-joined the army. Flynn was granted a 4-F deferment during then Second World War due to his weak heart. He later stated that his only regret was his non-participation in that conflict.

Cast of The Dawn Patrol

Errol Flynn as Captain 'Court' Courtney
Basil Rathbone as Major Brand
David Niven as Lieutenant 'Scotty' Scott
Donald Crisp as Phipps
Melville Cooper as Sergeant Watkins
Barry Fitzgerald as Bott
Carl Esmond as Hauptmann Von Mueller
Peter Willes as Hollister
Morton Lowry as Donnie Scott
Michael Brooke as Captain Squires
James Burke as Flaherty (motorcycle driver)
Stuart Hall as Bentham
Herbert Evans as Scott's mechanic
Sidney Bracey as Maj. Brand's orderly (as Sidney Bracy)
Leo Nomis as Aeronautic supervisor
John Rodion as Lieutenant Russell

You Can't Take It With You - 1938

Columbia paid $200,000 for the film rights to the play.

Frank Capra first became aware of the play when he caught a performance of it when he was in New York in 1937 for the premiere of Lost Horizon (1937). He tried to persuade Columbia boss Harry Cohn to buy the rights but Cohn refused, partly because he baulked at the prospect of shelling out what he considered to be the exorbitant sum of $200,000 for the rights, but mainly because he was still smarting from the lost battles he'd had with Capra over the final edit of Lost Horizon (1937). Capra too was out of sorts with Cohn as he objected strongly to the Columbia boss trying to market the Jean Arthur film If You Could Only Cook (1935) in Britain as one of his own. A court case ensued, only being resolved in November 1937, with the proviso that Columbia buy the rights to the play and assign the project to Capra.

The first James Stewart and Frank Capra collaboration.

A 1938 feature film usually ran to 8,000 feet of film. Frank Capra shot 329,000 feet for this one.
Whereas the play had only 19 characters, there are 153 parts in the film.
Lionel Barrymore would receive injections every hour to help relieve the pain of his arthritis.

Shooting began in late April 1938 and took just under 2 months. The cost came in at one and a half million dollars.

The original play by Moss Hart and George S. Kaufman won the 1937 Pulitzer Prize for Drama. It was still running on Broadway when the film opened.
Frank Capra was President of the Academy of Motion Picture Arts and Sciences in 1938 and was at the forefront of a union dispute amongst producers and directors that was threatening to disrupt that year's Oscar ceremony. Fortunately it was resolved in time for the President to walk off with 2 more Oscars to add to his collection.

Shortly before filming began, Lionel Barrymore lost the use of his legs to crippling arthritis and a hip injury. To accommodate him, the script was altered so that his character had a broken leg, and Barrymore did the film on crutches.

Debut of Dub Taylor.

Frank Capra cast James Stewart based on his performance in Navy Blue and Gold (1937).
The Broadway play "You Can't Take It With You" opened at the Booth Theater in New York on December 14, 1936 and ran for 838 performances. The original cast included Jess Barker as Tony Kirby, Margot Stevenson as Alice Sycamore and Henry Travers as Grandpa. Donald, played so memorably in this film by Eddie 'Rochester' Anderson, was originally portrayed by Oscar Polk, who later played house servant "Pork" in Gone with the Wind (1939).

Lionel Barrymore plays Jean Arthur's grandfather in the film. In reality, he was only 22 years her senior.

The song "Polly Wolly Doodle" was prominently featured in both this film and Sam Peckinpah's The Wild Bunch (1969). Dub Taylor also appeared in both films. In this film he plays the song (several times) on a xylophone. Taylor appears as Rev. Wainscoat in The Wild Bunch (1969) 31 years after this film (near the end of his film career). Peckinpah's "Polly Wolly Doodle", presented in it's sinister context, contrasts sharply with the carefree Capra rendition.

Ann Miller was only 15 years old when this movie was filmed. Her character is called on to perform numerous (amateur) ballet positions, including the toe pointe, which was very painful for her. She hid this from the cast and crew, but would cry (out of sight) off stage.

The song "Polly Wolly Doodle" is played on the harmonica by Lionel Barrymore (and Edward Arnold) several times in this film. A variation of the same song is sung by Bette Davis' (Apple Annie) crew towards the end of Pocketful of Miracles (1961) as they are riding in a cab to see Ann-Margret off on her honeymoon.

Ann Miller once said that doing the ballet moves for this movie were extremely painful and she would often be crying in between takes. She never told anybody the reason why and James Stewart, assuming she was upset about something, would have boxes of candy sent to her to make her feel better.

The first of only two Best Picture Academy Award winners to have been adapted for the screen from plays which won the Pulitzer Prize.

Cast of You Can't Take It With You

Jean Arthur as Alice Sycamore
Lionel Barrymore as Grandpa Martin Vanderhof
James Stewart as Tony Kirby
Edward Arnold as Anthony P. Kirby
Mischa Auer as Boris Kolenkhov
Ann Miller as Essie Carmichael
Spring Byington as Penny Sycamore
Samuel S. Hinds as Paul Sycamore
Donald Meek as Poppins
H. B. Warner as Ramsey
Halliwell Hobbes as DePinna
Dub Taylor as Ed Carmichael
Mary Forbes as Mrs. Anthony P. Kirby
Lillian Yarbo as Rheba
Eddie Anderson as Donald
Charles Lane as Wilbur G. Henderson, IRS agent
Ian Wolfe as A.P. Kirby's secretary (unbilled)
Ward Bond as detective (unbilled)
Arthur Murray had an uncredited bit part

Angels With Dirty Faces - 1938

The Dead End Kids terrorized the set during shooting. They threw other actors off with their ad-libbing, and once cornered costar Humphrey Bogart and stole his trousers. But they didn't figure on James Cagney's street-bred toughness. The first time Leo Gorcey pulled an ad-lib on Cagney, the star stiff-armed the young actor right above the nose. From then on, the gang behaved.

Because of the controversy over gangster films, the film was banned outright in Denmark, China, Poland, Finland, and parts of Canada and Switzerland.

To play Rocky, James Cagney drew on his memories of growing up in New York's Hell's Kitchen. His main inspiration was a drug-addicted pimp who stood on a street corner all day hitching his trousers, twitching his neck, and repeating, "Whadda ya hear! Whadda ya say!" Those mannerisms came back to haunt Cagney. He later wrote in his autobiography, "I did those gestures maybe six times in the picture. That was over thirty years ago - and the impressionists have been doing me doing him ever since."

A montage features a shot of gangsters bombing a storefront. This shot is actually an alternate angle of the bombing of a store in The Public Enemy (1931).
For years, viewers have wonder whether or not "Rocky" Sullivan (James Cagney) really turned yellow as he was being strapped into the electric chair. Some have wondered if he was faking it in order to keep his promise to Father Jerry. When asked about the scene years later, Cagney says he chose to play it in such a way so that the audience could make their own decisions as to whether or not he was faking.

Some segments of this movie were remade and modified for the feature film Home Alone (1990) and its sequel. In the two movies, Kevin watches them as "Angels with Filthy Souls" and "Angels with Even Filthier Souls".

The moment in which Rocky forces a trailing hood to take his place inside the phone booth in the pharmacy to get killed was inspired by the death of New York gangster Vincent "Mad Dog" Coll. In the real incident, Coll was locked in a gang war with "Dutch" Schultz. During the war, Coll hid in an apartment above a pharmacy and would only come out to go into the pharmacy and call his girlfriend from the phone booth. Dutch found out about this and when Coll went to make his routine phone call, two of Schultz's gun men walked in and shot Coll to death.

An architect by the name of Lewis Pilcher designed the death house - it went into service in the early 1920s. The building is still there at Sing Sing. On Google Earth, zoom in on the prison, and look at the southwest corner by the river. The building with two wings and a diamond-shaped structure in the middle is the infamous structure.

The third of seven movies featuring The Dead End Kids.

Cast of Angels With Dirty Faces

James Cagney as Rocky Sullivan
Pat O'Brien as Fr. Jerry Connolly
Humphrey Bogart as Jim Frazier
Ann Sheridan as Laury Martin
George Bancroft as Mac Keefer
Billy Halop as Soapy
Bobby Jordan as Swing
Leo Gorcey as Bim
Gabriel Dell as Pasty
Huntz Hall as Crab
Bernard Punsly as Hunky
Joe Downing as Steve
Edward Pawley as Edwards, guard
Adrian Morris as Blackie
Frankie Burke as William "Rocky" Sullivan, as a boy
William Tracy as Jerome "Jerry" Connelly, as a boy
Marilyn Knowlden as Laury Martin, as a child

Tuesday, January 12, 2010

Pygmalion - 1938

George Bernard Shaw's original play opened in London on 11 April 1914.

The first British film to use the word "bloody" in its dialogue.

The play originally ended with Eliza going off to marry Freddy. George Bernard Shaw wrote a "sequel", actually a body of text documenting what happens after Eliza marries Freddy.

Wendy Hiller was personally chosen to play the part of Eliza Doolittle by author George Bernard Shaw.

George Bernard Shaw wrote the ballroom scene especially for this movie.

Although he expressed indifference to the Academy Award he won for writing this movie, his friend Mary Pickford reported that George Bernard Shaw proudly displayed his Oscar in his home, and showed it off to his visitors.

The property buyer is manning one of the market stalls at the beginning - Baden Siddall.
When Shaw died in 1950, his home in Ayot St Lawrence became a museum. One of the artefacts in it is his Oscar, which initially had become so tarnished that the curator assumed it had no value and had been using it as a door stop. That situation has since been rectified.

In British prints, Leslie Howard utters the word "damn". In American prints he says either "hang" or "confounded". This was a year before David O. Selznick famously tussled with the Hays Office over permission for Clark Gable to say "Frankly, my dear, I don't give a damn" at the end of Gone with the Wind (1939)

Wilfrid Lawson was only 38 when he played Eliza Doolittle's father.

Charles Laughton was Shaw's first choice to play Professor Henry Higgins.
The new character that George Bernard Shaw wrote for the ball scene - the Hungarian Karpathy - was modeled on producer Gabriel Pascal.

The original Broadway production of "Pgymalion" opened at the Park Theater opening October 12, 1914 and ran for 72 performances. The play premiered in a German translation at the Hofburg Theatre in Vienna on October 16, 1913 and in English at His Majesty's Theatre in London on April 11, 1914 and starred 'Mrs Patrick Campbell'.

George Bernard Shaw had previously rejected an offer from Samuel Goldwyn for the screen rights to his plays. He was more impressed with Gabriel Pascal's integrity as a producer, thus beginning a partnership that yielded adaptations of Pygmalion (1938), Major Barbara (1941), Caesar and Cleopatra (1945) and Androcles and the Lion (1952).

First film of Stephen Murray.

George Bernard Shaw is one of only two people to have won both the Academy Award and the Nobel Prize. Former Vice President Al Gore is the other. Al Gore won an Oscar for An Inconvenient Truth (2006), and also a Nobel Peace Prize.

Moyna MacGill is the only performer to appear in both this film (Woman Bystander) and its musical remake, My Fair Lady (1964) (Lady Boxington). Both films were also photographed by Harry Stradling Sr.

Cast of Pygmalion

Wendy Hiller - Eliza Doolittle
Leslie Howard - Prof. Henry Higgins
Wilfred Lawson - Alfred Doolittle
Marie Lohr - Mrs. Higgins
Scott Sunderland - Col. Pickering
Jean Cadell - Mrs. Pearce
David Tree - Freddy Eynsford-Hill
Violet Vanbrugh - Ambassadress
Iris Hoey - Ysabel; Viola Tree - Perfide
Cathleen Nesbitt - Old Lady
Esme Percy - Count Aristid Karpathy
Ivor Barnard - Bystander
Irene Browne - Duchess
Kate Cutler - Grand old lady
Everley Gregg - Mrs. Eynsford Hill
Leucen MacGrath - Clara Eynsford-Hill
George Mozart
Stephen Murray - Police Constable
Wally Patch - Bystander
Anthony Quayle - French Hairdresser
H.F. Maltby - Bystander
Cecil Trouncer - 1st Policeman

Saturday, January 9, 2010

An old rumor is that the role of Julie was offered as compensation to Bette Davis when she lost the opportunity to play Scarlett O'Hara in Gone with the Wind (1939). This rumor is completely false, since the role of Scarlett had not yet been cast until long after Jezebel (1938) had been filmed.

According to Robert Osborne, Julie's red dress was actually bronze colored, because bronze showed up better on black and white film than red would.

The red dress sequence was based on a real-life white ball in Hollywood at which all the women dutifully appeared in white - except for Mrs. MGM, Norma Shearer. Comment from another guest: "Who does Norma think she is - the house madam?"

Has been called a black-and-white version of Gone with the Wind (1939), which was in its pre-production stages at the time.

Some scenes were filmed around Henry Fonda, to allow him to be with his wife as she gave birth to their daughter Jane Fonda, including scenes with the sometimes-prickly star, Bette Davis. As the star of the film Davis was within her rights to insist that Fonda remain until their scenes were finished, but she allowed him to complete his shots and leave.

Originally a flop play on Broadway starring Bette Davis' nemesis Miriam Hopkins. Hopkins assumed she was contractually set to star in the film adaptation, but the contract only specified she would be "considered" for the film version.

In an interview with Dick Cavett in 1971, Bette Davis said her salary was $650 a week.

Jeffrey Lynn originally was cast in the Pres role, but the producers of the play he was appearing in refused to release him. Fonda was a last minute replacement.

Bette Davis' Oscar was sold at auction on July 19, 2001 at Christie's for $57,800. The buyer was Steven Spielberg who then immediately donated it back to the Academy.

Bette Davis allegedly took 45 takes to perfect the scene where she lifts her riding skirt with her crop.

Because of excessive takes for each scene by director William Wyler, Jezebel (1938) allegedly ran 28 days behind schedule.

Edmund Goulding was originally slated to direct and Anita Louise was originally cast in the Margaret Lindsay role.

Director William Wyler was known for working with the script of the films he was directing, but was unable to do so here to the degree he wanted because shooting started on the first part of the script before the rest was finished. Because he was too busy to contribute to the writing, Wyler asked that John Huston be brought in to act as the middleman between him and the writers, and the studio agreed.

In order to minimize the impact of potentially going over budget (as this film did), director William Wyler shot all of the most expensive scenes first.

Owen Davis's play opened on Broadway in New York City, New York, USA on 19 December 1933 and closed in January 1934 after 32 performances. The opening night cast included Miriam Hopkins as Julie, Joseph Cotten, Owen Davis Jr. (the writer's son), Cora Witherspoon and Lew Payton (who is also in the film).

This is the film Catherine O'Hara is watching on television at the beginning of For Your Consideration (2006). She follows along with the dialogue suggesting that she knows the film very well. The same dialogue is also spoken at the end of the film when O'Hara is teaching the acting students.

The birth of Henry Fonda's daughter Jane Fonda was the cause of some interruptions during his filming of Jezebel (1938).

Bette Davis credited William Wyler for making her a box office-star after he directed her Oscar-winning performance in Jezebel (1938).

Franco Corsaro, Roger Valmy, George Sorel, Vic Demourelle and Louis LaBey are in studio records/casting call lists as cast members, but they did not appear or were not identifiable in this movie.

Because the original Broadway production was a flop, Warner Bros. was able to buy the rights to the film at a very low price.

At the time of filming director William Wyler and lead actor Henry Fonda were both ex-husbands of actress Margaret Sullavan.

Cast of Jezebel

Bette Davis as Julie Marsden
Henry Fonda as Preston Dillard
George Brent as Buck Cantrell
Donald Crisp as Dr. Livingstone
Fay Bainter as Aunt Belle Massey
Margaret Lindsay as Amy Bradford Dillard
Richard Cromwell as Ted Dillard
Henry O'Neill as General Theopholus Bogardus
Spring Byington as Mrs. Kendrick
John Litel as Jean La Cour
Gordon Oliver as Dick Allen
Janet Shaw as Molly Allen
Theresa Harris as Zette
Margaret Early as Stephanie Kendrick
Irving Pichel as Huger

The Adventures Of Robin Hood - 1938

Originally planned with James Cagney playing the title role, but he quit Warner Brothers and production was postponed for three years.

The golden palomino that Olivia de Havilland rides in this film is Trigger, shortly before he became the mount of Roy Rogers.

Michael Curtiz took over from director William Keighley when the producers felt that the action scenes lacked impact.

Howard Hill, who is listed in the credits as "Captain of Archers", also played "Owen the Welshman" in the archery contest. Hill actually made the shot where we see one arrow split another and he did all the shots which required hitting human targets. He also worked closely with the sound department to produce the distinctive arrow sounds by using specially made arrows.

German audiences will wait in vain for the notorious lines "You speak treason!" - "Fluently." In the German version, it is dubbed as "Ihr sprecht unbedacht!" - "Weiß ich." ("You speak before you think!" - "I know.") Probably they chose this quip (clever in its own right, but in a different vein than the original) because a more faithful translation would have lost the play on words completely.

Eugene Pallette was not the first choice for the role of Friar Tuck. Guy Kibbee was originally slated for the part.

The sound of Robin's arrow is the favorite sound of Skywalker Sound's Ben Burtt. He has used that sound in almost all the Star Wars films.

The theatrical trailer contains footage of Robin and Marian kissing on horseback. This footage is from the deleted final scene of the film, immediately following the closing of the great doors, where the film now ends.

At the time of its release, this was Warners' most expensive film, costing over $2 million.

The film plays very fancifully with real history. Even the opening titles are full of inaccuracies.

The role of Will Scarlett was originally intended for David Niven, but he was vacationing in England at the time, so the part went to Patric Knowles.

Originally set to open with an elaborate jousting sequence, just as Douglas Fairbanks' Robin Hood (1922) did, but it was decided that this would be too expensive and the plans were scotched.

One of the original writers on the project was Rowland Leigh.

Erich Wolfgang Korngold used much of a classical piece he'd written in 1919 for his score.

The stunt players wore heavy padding underneath a steel breastplate overlaid with some balsa wood to absorb the impact of arrows.

The production used all 11 of the Technicolor cameras in existence in 1938 and they were all returned to Technicolor at the end of each day's filming.

At the time this film held the distinction of employing the largest number of stuntmen on any one production.

Olivia de Havilland has only one scene in which she is not wearing a headpiece.

Despite his flamboyant performance as Robin Hood, Errol Flynn privately professed that he found the role a boring one.

In an effort to assuage the Production Code Administration, aka the Breen Office - which was the official censorship authority at the time and was coming down especially hard on Warner Bros.' popular gangster films - the studio gave the go-ahead for this project, figuring that a harmless historical tale wouldn't cause them to run afoul of the censors.

William Keighley had directed Errol Flynn the year before in The Prince and the Pauper (1937), which had turned out well for Warner Brothers. The studio had high hopes for this second teaming, but upon viewing the dailies coming in from the location shoot in Chico, California, they found the action scenes to be lacking in vigor and excitement. Michael Curtiz, who had effectively made Flynn a star with his agile handling of the actor in Captain Blood (1935) and cemented his reputation as a swashbuckling hero in The Charge of the Light Brigade (1936), was brought in to complete the picture. Consequently when Keighley returned to Hollywood from Chico, he found himself out of a job. Ironically, Keighley and Flynn got along quite well, but Curtiz and Flynn despised each other.

William Keighley was initially assigned to the project because he had made Warners' first excursion into three-strip Technicolor, when he directed God's Country and the Woman (1937).

One of the original story concepts had Robin Hood die at the end of the film.

This film was originally intended as a much closer remake of the original Douglas Fairbanks’ Robin Hood (1922) film.

The ending that exists now in the film is not the one that was originally written. In the original ending, King Richard and his forces help battle Prince John's and Guy of Gisburne's forces outside the castle - this ending was scrapped because it was too expensive to film. In the back-up ending, Prince John and Guy of Gisbourne's forces chased Robin Hood's and King Richard's forces into Sherwood forest and the climax took place there. This second ending was really never satisfactory, and was scrapped too. Finally, a third ending was written, in which the climactic battle takes place inside the Castle of Nottingham. Now King Richard's forces could be pared down to a handful of faithful retainers, and the new ending proved to be less expensive to shoot.

To prepare the audience for the new ending, the abbot's scenes were given to the Bishop of the Black Canons.

The scenes in which Marian is captured by Sir Guy of Gisbourne and then tried for treason are lifts from the Douglas Fairbanks movie, Robin Hood (1922).

Although shot on location in California, indigenous English plants were added and the grass was painted to give a greener, more English look.

Erich Wolfgang Korngold was invited by Warner Brothers to come from his native Austria to Hollywood to see the film with a view to scoring it. He initially turned down the chance as he felt that his musical style was ill-suited for adventure spectaculars. However, while in Hollywood, he learned that the Nazis were about to invade Austria and, feeling he had to secure a source of revenue in the United States, he accepted the assignment. He would go on to win the Oscar.

While filming Robin Hood's escape from the castle, actor Basil Rathbone was knocked down and trampled by extras, causing a spear wound in his right foot which required eight stitches to close.
The Sir Joseph Hooker Oak (called the Gallows Oak in the film) where Robin Hood forms his outlaw band was supposedly the largest living oak tree in the world at the time of filming in 1937.
The rock that Errol Flynn stands on in front of the tree is a prop.

The swords used in the film were made of Duralumin, invented in 1908 by Alfred Wilm.

During one fight sequence, Errol Flynn was jabbed by an actor who was using an unprotected sword - he asked him why he didn't have a guard on the point. The other player apologized and explained that the director, Michael Curtiz, had instructed him to remove the safety feature in order to make the action "more exciting". Errol Flynn reportedly climbed up a gantry where Michael Curtiz was standing next to the camera, took him by the throat and asked him if he found that "exciting enough".

Two scenes - a jousting tournament and a christening - were cut from the script to save money and were never filmed.

A scene was filmed that was to have taken place before the scene where Will Scarlet comes riding into the forest clearing with Much the Miller's Son on his saddle. This was the scene where King Richard challenges Friar Tuck to a fistfight and wins, after which Robin himself agrees to fight King Richard. The scene was deleted from the final version of the film, making it appear that King Richard and Robin are about to fight for no reason.

The preview audience reaction was so positive that the film was released without any alterations to the plot.

Maid Marion is never referred to by that name in this film. She is referred to as "Lady Marion Fitzwalter" twice, once in the banquet scene and the second time by Sir Guy just before she hands the Golden Arrow to Robin Hood.

At the time Olivia de Havilland rode the palomino, its registered name was "Golden Cloud" and was owned by Hudkins Stables, an outfit that leased horses and Western equipment for films. Roy Rogers bought "Golden Cloud" for $2,500. Character actor Smiley Burnette, who was Rogers' sidekick in his early movies, suggested the name of Trigger, as the horse was "quick-on-the-trigger". Rogers rode Trigger in his first starring Western, Under Western Stars (1938).

Errol Flynn was not happy when Michael Curtiz was assigned to the film, as he didn't care for Curtiz's dictatorial methods and the two clashed often while filming The Charge of the Light Brigade (1936).

Maid Marian is from not an original Robin Hood ballad, but from the French romantic ballad "Jeau Robin et Marian" (Play of Robin and Marian). Robin was not Robin Hood but a shepherd, and Marian was a shepherdess whom he loved.

Warner Brothers owned the rights to the original "Robin Hood" operetta, while MGM announced its intention to film a Robin Hood movie at the same time, based on the operetta, with Nelson Eddy as Robin and Jeanette MacDonald as Maid Marian. Warner Brothers agreed, providing it could film a movie called "The Adventures of Robin Hood" with James Cagney as Robin. The MGM film was eventually abandoned.

Originally budgeted at $1.6 million, the budget eventually ballooned to $2 million, the most expensive Warners film to date, but it turned out to be the studio's biggest money-maker in 1939, making back far in excess of its cost.

The studio files/records for this film are archived at the USC Cinema Television Library.

Interoffice memos clearly indicate that Olivia de Havilland was not the first choice for the role of Marion. The original actress, whose name is blacked out in each of documents, became pregnant out of wedlock, and could no longer accept the role.

Wilfred Lucas as "Archery Official" and Halliwell Hobbes are in studio records/casting call lists as cast members, but they did not appear or were not identifiable in the movie.

The second of eight films to feature Errol Flynn and Olivia de Havilland.

James Cagney was the studio's original choice for Robin Hood. But when Cagney walked off set, the film's producer Hal B. Wallis made the decision to cast Errol Flynn, against Warner Bros' wishes. It was also Wallis' decision to keep Maid Marian, when the original scriptwriter wanted to dump her character. Wallis felt Marian was an indispensable fixture of a Robin Hood adventure.

Although this movie carries the VITAPHONE trademark, in fact, the sound was looped onto the film by a sound-on-film process. This was the result of Warner Brothers having to carry the trademark of the obsolete process until it expired.

At 28, Errol Flynn was the youngest actor to play Robin Hood.

The tune whistled by Little John before his fight with Robin is the medieval English round "Sumer is Icumen In".

>>> WARNING: Here Be Spoilers <<<

Trivia items below here contain information that may give away important plot points. You may not want to read any further if you've not already seen this title.

SPOILER: Heavily padded stunt players and actors were paid $150 per arrow for being shot by professional archer Howard Hill, who also played the captain of the archers, whom Robin Hood defeats in the tournament by splitting his own arrow. Splitting the arrow was Hill's feat, too, done in one take with no trick photography.

SPOILER: Although it is said that the tournament winning arrow shoots the other arrow in two, in fact when the arrow shot by Howard Hill strikes the arrow embedded in the target, it splits the arrow into three pieces. It sounds better to split something in half or in two, but the details in the movie are real and not just a saying.

Cast of The Adventures Of Robin Hood

Errol Flynn as Robin Hood
Olivia de Havilland as Maid Marian
Basil Rathbone as Sir Guy of Gisbourne
Claude Rains as Prince John
Patric Knowles as Will Scarlet
Eugene Pallette as Friar Tuck
Alan Hale, Sr. as Little John
Melville Cooper as High Sheriff of Nottingham
Ian Hunter as King Richard the Lionheart
Una O'Connor as Bess
Herbert Mundin as Much the Miller's Son
Montagu Love as Bishop of the Black Canons
Leonard Willey as Sir Essex
Robert Noble as Sir Ralf
Kenneth Hunter as Sir Mortimer
Robert Warwick as Sir Geoffrey
Colin Kenny as Sir Baldwin
Lester Matthews as Sir Ivor
Harry Cording as Dickon Malbete
Howard Hill as Owen the Welshman (credited as "Captain of Archers")
Ivan F. Simpson as Proprietor of Kent Road Tavern

Bringing Up Baby - 1938

This movie fared so badly at the box office that Howard Hawks was fired from his next production at RKO and Katharine Hepburn bought out her contract to avoid being cast in the film Mother Carey's Chickens (1938). Coincidentally, Hepburn was labeled "box office poison" on the same day her contract was dissolved.

It has been suggested that co-screenwriter Dudley Nichols based the madcap romance on Katharine Hepburn's affair with director John Ford at the time. However, other sources state that Hepburn and Ford were never romantically involved, explaining that although they had been on Ford's yacht together, his wife had been there with them.

Howard Hawks modeled Cary Grant's character, David, on silent film comedian Harold Lloyd, even having Grant wear glasses like the comedian.

Though Katharine Hepburn never received royalties as an actress in the film, because she was a part investor, the film did provide a financial return for her (and still does for her estate).

David makes reference to the notorious characters "Mickey the Mouse" and "Donald the Duck". RKO was Walt Disney's distributor at the time.
Katharine Hepburn had never done any comedy before and had to be trained in gags and timing by Howard Hawks and several veteran vaudevillians he employed solely to train Hepburn. Cary Grant came to the film with his sense of comic timing already impeccably in place.

Was voted the 24th Greatest Film of all time by Entertainment Weekly.

Howard Hawks said that he failed at making a good comedy here because of the characters were too "madcap", with no straight men/women to ground it. This comment may have resulted from his disappointment at the film's commercial failure at the time of its release, although many now consider it Hawks' best film.

There is no musical score for the film, with the exception of the opening and end titles.
The theatrical trailer is made up mostly of unused alternate takes of the scenes in the film. For instance, in the take used in the trailer, Cary Grant doesn't jerk downward when Katharine Hepburn rips his coat like he does in the take used in the movie.

The final shooting script of the film comes in at 202 pages, which would equal a running time of 3 hours 22 minutes. Whether this amount of footage accounted for the rough assembly cut of the film isn't known.

Katharine Hepburn was generally fearless around the young leopard 'Nissa (II)' who played "Baby" and even enjoyed petting it. Cary Grant was less fond of the big cat and a double was used in the scenes where his character and the leopard had to make contact.
This film employed a great deal of split screen and optical tricks, such as rear screen projection, so that having the big cat in close proximity to the actors (especially Cary Grant who was more worried about acting with the cat than Katharine Hepburn) could be kept to a minimum. (Hepburn is sometimes shown petting and handling Baby. The leopard's trainer praised Hepburn, stating that Kate was fearless and could become an animal trainer if she so desired.) Most of the split screens had a lot of movement in them, which meant the dividing line had to be moved around as well. Even the scenes of Susan dragging the mean Leopard on a leash are split screened. You can see that the rope does not line up. A puppet Leopard was also used in some shots. It's most clearly seen in the shot after Susan gets the Leopard dragged into the jail. The reaction shot immediately afterwards, shows David and Mrs. Random with "Baby" the Leopard on the table. The Leopard is a puppet.

Premiere voted this movie as one of "The 50 Greatest Comedies Of All Time" in 2006.

The scene in which Susan's dress is ripped was inspired by something that happened to Cary Grant. He was at the Roxy Theater one night and his pants zipper was down when it caught on the back of a woman's dress. Grant impulsively followed her. When he told this story to Howard Hawks, Hawks loved it and put it into the film.

Katharine Hepburn was having a difficult time finding her comedic timing - Hawks said that she was "trying too hard to be funny" and kept laughing out loud. Luckily, Walter Catlett, who played Constable Slocum, was a veteran comic. Hawks wanted him to give Hepburn some tips, but he refused unless Hepburn asked him. So Hawks got Hepburn to ask Catlett for advice. Hepburn was so grateful that she asked Hawks to make Catlett's part larger so that he could be around if she needed more help.

Cary Grant was not fond of the leopard that was used in the film. Once, to torture him, Katharine Hepburn put a stuffed leopard through a vent in the top of his dressing room. "He was out of there like lightning," wrote Hepburn in her autobiography Me: Stories of My Life.

Katharine Hepburn had one very close call with the leopard. She was wearing a skirt that was lined with little metal pieces to make the skirt swing prettily. When Hepburn turned around abruptly, the leopard made a lunge for her back. Only the intervention of the trainer's whip saved Hepburn. The leopard was not allowed to roam around freely after that, and Hepburn was more careful around it from then on.

In the original short story, Baby was a panther.

The scenes which involved Baby roaming around freely, notably in Susan's apartment, had to be done in a cage, with the camera and sound picked up through holes in the fencing.

In 2007, the American Film Institute ranked this as the #88 Greatest Movie of All Time.

Screenwriters Dudley Nichols and Hagar Wilde fell in love as they were writing the screenplay.

The impressive optical effects are discussed in detail in "Hollywood the Golden Years: The RKO Story" (1987). There is a very informative interview with Linwood G. Dunn who worked (uncredited) on the visual effects for this film. He explains the traveling split screens and points out some visual effects goofs that "got by". Included is surviving footage of the stand-ins for Cary Grant and Katharine Hepburn's in a camera test of the two driving with the leopard in the back.
The script contains an expression that was very common in the USA up until about the 1950s that by today's standards is absolutely unbelievable and (thankfully) would never be used today. In the first scene, when Alice tells Cary Grant's character that "Mr. Peabody may possibly donate a million dollars to the museum", he responds "A million dollars? Say, that's pretty WHITE of Mr. Peabody, isn't it?"

Beyond Walter Catlett, allegedly Harold Lloyd was brought into assist Katharine Hepburn with her comedic acting.

Cary Grant never said "Judy, Judy, Judy" in the movies, which he credits to Larry Storch, but he did say "Susan, Susan, Susan" in Bringing Up Baby (1938).
To build their New England-style home, Howard Hawks wife Slim used the set plans from his film Bringing Up Baby (1938).

Before the movie was released Cary Grant bad been worried that he might never become a major star after all, since he was already nearly 34 at the time of filming and younger actors like Errol Flynn and James Stewart were established stars.
David's response to Aunt Elizabeth asking him why he is wearing a woman's dressing gown ("Because I just went gay all of a sudden!") is considered by many film historians to be the first use of the word "gay" in its roughly modern sense (as opposed to its archaic meaning of "happy, carefree") in an American studio film. Among homosexuals, the word first came into its current use during the 1920s or possibly even earlier, though it was not widely known by heterosexuals as a slang term for homosexuals until the late 1960s. The line was not in the original shooting script for the film; it was an ad lib from Cary Grant himself.

>>> WARNING: Here Be Spoilers <<<

Trivia items below here contain information that may give away important plot points. You may not want to read any further if you've not already seen this title.

SPOILER: Cary Grant did not use a stunt double for the film, doing all his own pratfalls and even doing acrobatics (pulling the other person up with one arm) with the stunt-person doubling for Katharine Hepburn, in the closing scene of the film where the dinosaur skeleton collapses.

Cast of Bringing Up Baby

Katharine Hepburn as Susan Vance, a ditzy socialite
Cary Grant as Dr. David Huxley (alias Mr. Bone), a mild-mannered paleontologist
Charles Ruggles as Maj. Horace Applegate, big game hunter
Walter Catlett as Constable Slocum, who arrests most of the cast
Barry Fitzgerald as Aloysius Gogarty, a heavily stereotyped Irish-American gardener
May Robson as Aunt Elizabeth Random, Susan's snobbish aunt
Fritz Feld as Dr. Fritz Lehman
Leona Roberts as Mrs. Hannah Gogarty, wife of Aloysius
George Irving as Dr. Alexander Peabody, Mrs Random's lawyer
Tala Birell as Mrs. Lehman
Virginia Walker as Alice Swallow, David's shrewish fiancée
John Kelly as Elmer
Asta as George, a dog
Nissa as both of the leopards
Ward Bond as Motorcycle cop at jail (uncredited)
Jack Carson as Circus Roustabout (uncredited)
Karl 'Karchy' Kosiczky as Midget (uncredited)

The Plainsman - 1937

The cavalry sequences were shot with members of the Wyoming National Guard. Two guardsmen were badly hurt during filming of a charge scene.

2,000 Indian actors were used as extras for the Custer massacre sequence.

Paramount executives wanted Wild Bill Hickok to survive the card-game shootout, but Cecil B. DeMille resisted and got his way.

Anthony Quinn told Cecil B. DeMille that he spoke fluent Cheyenne. Quinn's description of the Custer battle is gibberish, but DeMille was impressed.
Film debut of Hank Worden.

The script originally had Anthony Quinn's character entering the campsite with no concern because he thought it was the camp of another Indian. Quinn told Cecil B. DeMille that a real Indian would know the difference between a white man's camp and that of another Indian's, and should show caution when entering. When Quinn insisted, DeMille thought about it and agreed that's how the character ought to react.

An excellent horseman from his youth in Montana, Gary Cooper did most of his own riding stunts, including the shot where he rode "hanging" between two horses.

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.

John Wayne very much wanted the role of Wild Bill Hickok, which he felt certain would make him a star, but director Cecil B. DeMille wanted Gary Cooper instead.

Cast of The Plainsman

Gary Cooper Wild Bill Hickok

Jean Arthur Calamity Jane

James Ellison William "Buffalo Bill" Cody

Charles Bickford John Lattimer

Helen Burgess Louisa Cody

Porter Hall Jack McCall

Paul Harvey Yellow Hand

Victor Varconi Painted Horse

John Miljan Gen. George A. Custer

Frank McGlynn Sr. Abraham Lincoln

Granville Bates Van Ellyn

Frank Albertson Young trooper

Purnell Pratt Capt. Wood

Fred Kohler Jake (teamster) (as Fred Kohler Sr.)

Pat Moriarity Sgt. McGinnis (as Pat Moriarty)

Charles Judels Tony (barber)

Harry Woods Quartermaster sergeant

Anthony Quinn Cheyenne Indian

Francis McDonald River gambler

George Ernest Boy

George MacQuarrie Gen. Merritt

George 'Gabby' Hayes Breezy (as George Hayes)

Fuzzy Knight Dave

Hank Worden Deadwood townsman (uncredited)